Bishop Allan Bjornberg
Rocky Mountain Synod, ELCA
photo by Kent Mueller
Rocky Mountain Synod Assembly of the ELCA + April 26-28, 2012 in Colorado Springs, CO + Landscapes of Faith + An invitation to conversation in preparation for the assembly.
One of the reasons for this blog series is simply to be in conversation about landscapes and faith, about what they mean (or don't mean) for us literally or metaphorically or both. Its also to be imagining our own landscape of faith, and the landscape of the church, in particular the Lutheran church. Probably most of us know that the landscape of life has changed, even drastically. As we discern the nature of the landscape, we can agree to disagree about things. We can ask wild questions. We can listen to each other. We can seek to orient (to know which way is East) ourselves in this changing world. Will you join the conversation?
Jeffrey Louden
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The Great Gallery Horseshoe Canyon, Canyonlands National Park
© Jeffrey Louden
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The early Mormon settlers called this the Holy Ghost panel. But we have no idea what the artists called it, only that they put it in a beautiful place, far from the Colorado River, on a south facing wall in a remote canyon on the Colorado Plateau. Estimates for its age vary from 1500 to 4000 years ago.
Great art and great landscapes go together. We are blessed to live in such a wondrous place. As we prepare for the synod assembly and the election of a new Bishop and bidding farewell to Bishop Allan, is it too much to invoke the "holy Ghost" to be with us as the landscape of our church changes, to invoke the spirit to help us discern our path and our witness? So we do. So we do.
Jeffrey Louden
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Hyde’s Wall, Escalante Wilderness, Utah. photograph copyright © 2011 by Stephen Trimble. A Guest Blog by noted author and photographer Stephen Trimble In the long-ago spring of 1976, the side canyons of Utah’s Escalante River were more remote than they are now, and they are still pretty remote. My two buddies and I had driven without incident in our hand-me-down family sedans across the Circle Cliffs to the Moody Creek trailhead. We found no other vehicles parked at the end of the road. Once we set off on foot, we weren’t expecting to see anyone else for the next week. We made camp at the junction of East Moody Canyon and the Escalante. In the lengthening iridescent light of late afternoon we wandered up East Moody Canyon. Each rounding curve brought new walls. Desert varnish streaked the crossbedded sandstone, black swaths across lavender and vermillion. Here, the color fields of Rothko; there, the bold strokes of Franz Kline. One wall in particular drew me. I moved my tripod this way and that, aiming my camera past piñons and junipers to a canyon wall reflecting purples and mauves, textured with fractures and cracks. The light had bounced down between canyon walls from the sky and the stars, distilled to an unbelievable saturation. I had never seen such surreal and intense colors. Later, I realized Philip Hyde had photographed the very same wall for Slickrock and for his Glen Canyon portfolio. Over the years as I published my pictures of that place, I captioned them “Hyde’s Wall.” We tore ourselves away from each mosaic of rock, tree, grass, and lichen in the endlessly changing gallery and strolled on, tantalized always by the next bend. We came to an amphitheater, the canyon’s curves arranged to form an echo chamber with three reflective surfaces. A trickle of water in the streambed was enough for the frogs and toads. On that springtime evening they were calling enthusiastically, the cricketlike trill of red-spotted toads and the plaintive bleat of Woodhouse toads advertising their readiness for sex. Spadefoot toads added a third melodic line, a sawing snore, while the final accent came from the ratchety bark of the canyon treefrog—my favorite. They took turns, calling across the alcove, each song echoing individually and distinctly. Stage right, stage left. Then a pause, and a call from back in the cheap seats. We kept our distance to avoid silencing them. They created a fully three-dimensional audio space, and to lie back against a boulder and listen to them felt both intimate and voyeuristic.
Today, fewer and fewer canyon treefrogs call from potholes and desert streams. The Colorado River Basin lies squarely within the crosshairs of global climate change. Rising average temperatures are certain to bring warmer summers, more rain than snow, decreased spring runoff, and more frequent wildfires. Climate change will push every living community uphill until alpine tundra and alpine animals like pikas can retreat no higher and will be pinched right off the mountaintops of the southern Rockies. What will we do for water in this increasingly dry century? Our edges are rounder, our destination closer. Gravity and time turn out to be equally inexorable. This same arc through time deepens our relationships with the places we love. The redrock wilderness has granted us refuge, repeatedly. The universe has provided us with a lifetime of chances to speak up for these remaining fragments of wild ecosystems. Let’s take full advantage of these last few winding and glorious bends, missing no opportunity for joyful adventure and rising to each occasion calling for advocacy as we tumble toward the sea. [Excerpted from “Tumbling Toward the Sea” by Stephen Trimble, in West of 98: Living and Writing the New American West. Lynn Stegner and Russell Rowland, editors. University of Texas Press.] As writer, photographer, and editor, Stephen Trimble has published more than 20 award-winning books. Trimble teaches writing in the University of Utah Honors College, serves on the board of Utah Interfaith Power & Light, and makes his home in Salt Lake City and in the redrock country of Torrey, Utah. His website is www.stephentrimble.net. |
The Wyoming Plains looking East near the Nebraska line © JDL |
"A person is forced inward by the spareness of what is outward and visible in all this land and sky. The beauty of the Plains is like that of an icon...what seems stern and almost empty is merely open, a door into some simple and holy state."
Kathleen Norris quoted in The Solace of Fierce Landscapes, by Belden Lane, p. 36
Most of the Rocky Mountain Synod isn't rocky or mountain. Most is high plains, prairie, a vast gently rolling steppe, sometimes as empty and wild and desolate, and even as dangerous as the highest mountains. Here we have our severest weather : heat like you can't believe, constant hot dry winds, tornadoes, the world's most active hail region, bitter cold and clouds like nowhere else on the planet. Fields of corn and wheat as far as the eye can see. It is a landscape for the soul, one that strips us bare and in the best sense of the word, makes us "plain."
Where is your favorite place on the Plains? What memories are attached to it?
Jeffrey Louden
Hot Springs. I have loved them my whole life. Hot water from the continuing formation of the continents. All five states of the Rocky Mountain Synod have hot springs. The spring above, Hobo Springs, in Saratoga, WY was gifted to the town with one proviso: it needed to remain free. They could not charge for it. So today one can drive south of I-80 near Rawlins and there in this small town, next to the Platte River, on the edge of the Colorado border, is this hot oasis. Heat for one's bones. Balm for one's aches. Beauty for one's soul. One can soak in the springs, which are anywhere from 104-110 degrees hot, and then, if you dare, cool off in the Platte River. On the way back from the Theological Convocation three of us took the time to slip into those waters, remembering our baptism, rooted in the continuing mystery and gift of the Earth. Ahhh.
Jeffrey Louden
Location
El Paso County, Colorado
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Latitude (lat)
38.614720°
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Longitude (long)
-104.674695°
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Elevation
5377 ft.
1638 m.
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